My artistic practice is aimed to analyze the perceptive role of the surface and the color, both in the field of sculpture and of artworks of a two-dimensional nature. In particular I deeply analyzed geometrical aspect, also to the phenomenon of chromatic variability and mirror reflection, which I used as alienating devices capable of altering the ordinary perception of volumes and planes.

Thanks to this mode, the work stops being a fixed and absolute form, since it kinetically activates a relationship with the context and with the same observer who, in some way, contaminate it in a game of continuous visual reflex.

The materials that I love most are aluminum, colored paper, glass and iridescent films that allow, with their magical charm, to go beyond a static and monolithic vision of the usual art-work.